Susan's "subject matter, context and medium...present a coherent artistic vision"
John Torreano, Clinical Professor of Studio Art, NYU

"Great stuff. Love your work."
Seymour Chwast

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Wednesday, February 12, 2014

The Life and Times of Loose Ends

Loose Ends attacking Attorneyman, 2 x 3  inches,  pen and ink, digital color, 1992
Loose Ends for New York Law Journal, 5 x 4 inches, pen and ink, digital color, 1994

Loose Ends,  40 x 36 inches, acrylic paint on linen, 2013

of figments of my imagination that keep re-appearing  in my work. You can see an example of one such figment and his evolution in the above three works.  This character, Looose Ends, was created for and first appeared in Attorneyman, a weekly comic strip I illustrated and wrote for Skadden News and Notes in the early 1990's.  He was a supervillain who created loose ends everywhere he went.

Subsequently, the New York Law Journal gave me an assignment to illustrate an article regarding a  problem law firms were having at the time–Alcohol in the Workplace. The art director gave me my politically correct marching orders, which were that I was not to have any liquor bottles, alcoholic beverage glasses or slumped bodies in my drawing. I thought to myself,  "Why don't you just tie my hands behind my back?" However, I accepted the challenge and got to work.

Loose Ends was my man for the job. He passed all of NYLJ's requirements for the drawing. A lawyer trying to write a brief under the influence would certainly create many loose ends; the waving streamers visually suggest the whirling of a mind inebriated.  To drive the point home, I drew a wilting, curled pencil.

Loose Ends went on to be an advertisement for Quo Vadis, a NYC paper company. The caption was, "If only I'd used a Quo Vadis planner, I wouldn't have so many Loose Ends!"  This ad was noticed by the French blog J ai Rendezvous Avec Ma Vie, which featured  Loose Ends and more of my art in a post.  I don't know exactly what they wrote because I don't read French, but Loose Ends looks the same in French as he does in English.

Today, Loose Ends is all grown up. He is larger and more colorful as a painting, and currently making the rounds at NYC galleries. He still has the streamers but today two birds are tangled in them and flying off with them. Eccentrically dressed, he sports a dragon fly as his tie. His ancient eyes have fallen out of his head into a nest he carries around on his lap for just such emergencies. Indeed, today he shines with the densely layered patina of a highly traveled, well worn old drawing who has had a good life.

I  still care for him, in a nostalgic sort of way, but  Loose Ends is a thing of the past. I don't have any currently, and I hope you don't either.

1 comment:

  1. You have done a wonderful job transforming your original drawing into a beautiful painting with wings and dog and added a vivid dissertation regarding your work. Well done Depingo. Can you hear me now?