
AT A PARTY HIGHLY REMINISCENT  of  an art  opening, the kitchen is  microscopically detailed–just like a painting. It is  a well-furnished kitchen, but with glassware that is trying to pass itself off as elegant but is  too large. It has been designed by someone who has never lived in a well-appointed house or gone to a 5-star restaurant in his (or her) entire life. The emotional hemophiliac  has, and takes note  of the glassware. She shrugs and  smokes a joint.
Sam, a good friend,  asks if he can have one. Of course he can, the hemophiliac replies. She  gives him a joint and  lights it,  while  noticing  he already has several of his own in his shirt pocket. She wonders why he wanted hers.
He asks her  to dance and they dance in the kitchen of the would–be fancy glasses. They are the only dancers. He is a good dancer, but, being acutely  emotional, the hemophiliac doesn't like being as close as the dance requires. She can feel his belly against hers. He  steps on the hemophiliac's  toe. More emotions flow. However, they continue dancing and twirling around. The dancing is exhilarating and just when the hemophiliac is getting into the gracefulness of it, Sam decides to end the dance by falling on his back,  spread eagle on the floor. She falls on top of him, also spread eagle, but with her legs inside of his. She does not get hurt because he is so soft that he cushions her fall.
When the hemophiliac gets up,  the hostess asks her  if she  would like to be Print Director of her company. "No," the hemophiliac replies, "because I am living in Connecticut."
"What do you do up there?" queries the hostess. "I head up my own  print company," replies the hemophiliac, as she walks into  to the living room.
She passes a reclining cat who looks suspiciously like her own, sleeping in the hallway.  As she walks past, the cat sits up, then jumps ahead of her, chasing a terrified bird. The children present are screaming about the inevitable food chain reaction that  is about to happen. There are feathers all over the place.
The emotional hemophiliac catches the bird and notices it is a bright blue one from one  one of her paintings.  "I got this,"  she   tells the children. She cradles the bird in both her hands and  takes it back  to her studio. She replaces  the bird into the empty spot in her painting.
She wakes up and looks at her hands. They are stained cobalt.
Paint on,
Depingo