Susan's "subject matter, context and medium...present a coherent artistic vision"
John Torreano, Clinical Professor of Studio Art, NYU

"Great stuff. Love your work."
Seymour Chwast

Search This Blog

Wednesday, July 22, 2020

The Flying Uni-brow


 Frida Kahlo
Lived in the shadow
Of Diego Rivera
Thinking her work was a flop.

She felt small as a  minnow
An amateur in tow
Diego Rivera
Made art hard to top.

The artist considered her uni-brow
"Ugh," she thought; then shrieked, "Wow!"
Mrs.  Rivera
Discarding her tweezer started to slop

Paint on canvas - uni-brows en masse
Deep in the crabgrass in order to outclass
Diego Rivera
Brow beating her man nonstop!





Sunday, July 5, 2020

Three Lives


Water Under the Bridge, is the third and final iteration of a painting that has lived three lives.

                    
                             Water Under the Bridge, acrylic, 36 x 24"

All of my paintings start out as nothing but a plain white canvas and then evolve into something different. But in order to complete this one, I had to bury its first two lives under layers of new paint. Like former FBI Director James Comey, I feel slightly nauseated about this coverup and I miss the two original images.  But they are, well, water under the bridge.

Water Under the Bridge began simply enough as one of a series of nude studies I was painting from life models. I called this group Shy Nudes. The series was exhibited at Fort Lauderdale's Fat Village, where Shy Nude #2 enjoyed its heyday as part of a Fat Village monthly Art Walk. I called them “shy” because I painted parts of their anatomy as flowers. I did this in an attempt to illustrate (literally)
the unity of humanity and nature.

The painting's second life was as Two Bucks (one human, one deer), which  embodied a further exploration of my belief in the essential harmony between humanity and nature. That life was ephemeral because I soon became more interested in the water and its possibilities than the two bucks.  Fortunately, I take progression photos of my work, so you can see both of these painted over images  below.

               
                                                                                                                        

It is this capricious, uncharted evolution and resolution of a painting that intrigues me. The discovery is thrilling! Can you imagine starting on a project with no notion of what the end will bring or what it will look like? Or even if you start with an embryonic idea, the finished work often turns out to be something completely different from what you originally contemplated. And then, even after it is finished, it evolves into something else and then continues morphing into another image.

Many artists have painted over images for reasons ranging from lack of funds for a new canvas, discouragement, to change of vision–even Picasso! Yes, even his masterpiece Blue Room had two lives: t
he first, a hidden occupant just below the surface paint. You can see him here. If not for infrared technology, he would never have been seen again.

This transformative process of discovery is my favorite part of the painting experience. As to the finished painting?


I'll cross that bridge when I come to it.