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Monday, April 22, 2013

Got a Bone in my Leg



Bone Jour,

I'M SITTING IN MY PORCH drinking coffee out of a bone china coffee cup and thinking about bones. And, yes, bone china is actually made from bones. This moderately creepy component of china has inspired me to post some thoughts on bones. But wait a minute, I have to get a sweater first, because I'm chilled to the bone from the cool, early morning air. I know a lot about bones. I became familiar with them at an early age. My father was an orthopedic surgeon–yeah, an old sawbones.

Make no bones about it, bones have done a lot for me. In addition to their more prosaic raisons d' etre of supporting my body, allowing me to walk upright and protecting my brain (moderately successfully), while I was growing up my bones helped me in any number of ways:

As any not-so proper doctor's daughter would have done, I viewed a lot of scandalous, X-rated photos when snooping around in my father's medical library.

Because my father was the team's doctor, I often sat in a box seat right behind the New York Giants' dugout. In addition to watching players break their bones at close range, I got to talk to Willie Mays, Hank Sauer and Bobby Thomson. They waved to us when returning to the dugout and sent us home with autographed balls and gloves.


My wishes would be granted if, while breaking the wishbone at dinner with my brother, Tommy, I got the long end.
Bones also have their downside. I have a bone to pick over what we had to do as kids if we wanted our mothers to be safe from fractures. Remember hopping around avoiding cracks on the sidewalk so you wouldn't "Step on a crack, break your mother's back"? Nice! And the equally nice retort reminding us that bones break, "Sticks and stones can break my bones, but names can never hurt me."

Despite the breakage factor, boney though I was, I led an enchanted life.

For instance, when I went to visit my father at the hospital, I thought he was some kind of ghostly deity. He wore a long white coat which billowed out and fluttered behind him when he walked and sparkled when it caught the light. He was generally followed by a group of ghostlets in shorter white coats who stuck very close while listening attentively to his every humerus (pun intended) word. Soon the ghost and ghostlets became one–an amorphous, shifting form propelled down the hospital corridors above a flurry of locomotion created by the 16 or so shiny, loafer-clad feet beneath it.

I knew when I was going to get the brushoff. It was when we arrived at my father's office in the hospital. The brass nameplate next to the door read "Head Ghost." Actually it read "Harrison McLaughlin, M.D.," but I couldn't yet read then. Too busy floating around the hospital to enter, my father would stick his head in the office and say "Mrs. Graham, would you mind Suzie while the boys (those were the short-coated, adhered ghostlets) and I go take care of another one of these critters?" The "critters" apparently were the patients who were either waiting to get their bones sawed or those who had already had their bones sawed and were recuperating in various, slings, braces, and plaster casts, while hung from the ceiling in traction. I felt terribly sorry for all those critters because once they were seen by my father and his boys, they never walked again–they "ambulated."

I loved hanging out in the Head Ghost's office. A complete human skeleton hung from what looked like a meat hook in the ceiling. At first I thought it spooky, but then I made friends with it and danced with those merry, dangling bones in our private, ether-scented ballroom to the rhythmic clickety-clack of Mrs. Graham's typewriter. There was also a skull on the desk with whom I had many in depth conversations about, well, bones and other important matters (such as what had happened to the skull's teeth and what's it like to be dead) crucial to a 4-year old, while waiting for my ghost––I mean my father–to return.


When visiting my grandfather, Papa Bisgood, bones came up frequently. I would constantly invite Papa to come out and do things with me. Once in a while he would, but usually he said that he could not. When I asked him why, he never gave any reason other than "I've got a bone in my leg." Year's later I recounted Papa's excuse to my husband, and to this day he declines invitations with "I'd love to, but I've got a bone in my leg." It works; people just don't question such a regret.

My next encounter with bones occurred when I had an art-related accident (that's another post) and severed several of the tendons in my neck and shoulders. My doctor sent me to a radiologist for an X-ray of my head and torso. I entered the radiologist's office after the x-rays were taken, and noticed that literally hundreds of other x-rays were hanging on the office walls–sort of like art. Until then, I had always thought that skeletons were generic and would look pretty much alike. However, I was stunned and a little bit frightened to see that mine looked exactly like me. I could pick "me" out instantaneously–perhaps because my bones are petite and my face doesn't have much integument. I stared at the dark, empty eye sockets in that roentgenogram and my eyes itched to be cradled in them. Those bones claimed me. The skull, clavicle, sternum and all 24 ribs, some sort of grim, ersatz chorus, sang to me, "Yes, we are thee ! This is what you'll be sooner than you think."
For a while, I took solace in the fact that my bones will be around for a long time after the rest of me goes organic and returns to the earth. But they will not last forever. When I die, I will not have to say goodbye to them right away. Depending on soil conditions, it may take hundreds of years before they disintegrate and become one with the universe. But when they do, it's...

Bone voyage!

Paint on,
Depingo


Sunday, April 14, 2013

Arrogant Little Piece of Linen



I IS GOOD to be back in my favorite studio at Foxglove.  It seems so welcoming. When I walk in, the painting I left unfinished last December screams at me, "Finish me, Finish me!" to which I reply, "You arrogant little piece of linen!"

Granted, my ersatz winter studio was not ideal. It consisted of  a pretzel-like me flopped down on a chaise on our balcony over the Atlantic, balancing my laptop between my pelvis and flexed thighs and supporting my Wacom on the underside of my raised left forearm. In this contorted position I could draw and paint with my right hand, all the while battling high winds off the Atlantic.

Perhaps it was not the most ergonomically sound method of working, but it worked long enough for me to get sixteen paintings done in the four months I was a snowbird. I also composed sixteen poems in that same twisted, gravity-defying manner.  Could it be that this very work style is why I currently have splints and Ace bandages on both my wrists to keep them from painting or doing anything else that requires finger or wrist movement?

Back to the screaming painting.  I couldn't just let it sit there unfinished, so I decided to do the finish work on it with a palette knife. I usually don't use this tool, nor do I really know how. It seemed to me, however, that this would require less exacting finger movement than brushes.

Hello! You can't keep the painter in a painter down. Even wrist splints can 't hold me back. Mr. Depingo even sat on me to stop me. (Those of you who are personally acquainted with Mr. D will understand the severity of this.) Nope, it didn't work! I squirmed out. I'm pretty sure a little palette knife work never hurt anyone.

 Just the same, please don't mention this to my doctor.


Friday, April 5, 2013

Yeoman


I HAVE A SUITOR

Yes, I, Depingo - a suitor.  You can see him in the center of the above picture, which I shot off our balcony the first time I saw him.  By the way, you don't need to mention this to my husband, Mr. Depingo.

My suitor (I so prefer that term to "stalker") is incredibly handsome and well groomed, with perfect posture. He always wears his uniform. I have identified it as the uniform that the Beefeaters wear save two minor differences.  The breeches and fuzzy high hat are both white, rather than scarlett and black, respectively. That Queen has such a sense of style! She had the exact same uniform made up for my guard but with the white hat and breeches. This, of course,  is the Florida version of the Beefeaters' uniform.

He definitely has been sent from the Queen and is one of the Yeomen Warders of Her Majesty's Royal Palace and Fortress, the Tower of London.  His London counterparts' duties are, theoretically, to look after prisoners in the Tower and to safeguard the Crown Jewels.

I have no prisoners here at Ocean Place Palace, except for, say, Mr. Depingo. But I have bought lots of jewelry during my stay. The Queen is an avid reader of my blog (hear, hear!) and this is how I think it went down.  I bought so much jewelry on my stay here that Her Royal Highness got worried and sent one of her guys over to guard said jewels for me. She has always been an extremely kind and generous fan.

My guard, Yeoman, as I call him, stations himself, stiff as a board  under my balcony day and night.   I call, "Good morning, Yeoman" to him from my balcony, as did Juliet to Romeo. Indeed, I surreptitiously blow kisses to him during cocktail hours. Mr. Depingo, puzzled, wonders, "What on earth is Depingo up to  now?" as my kisses float off into the sea-scented air. And at night I call down, "Sweet dreams,  my Yeoman."  Just as  strict  as any Beefeater, at the Palace, he never responds in any way - just stands there  erect and immobile, not so much as a hint of a smile or the blinking of an eye.

Today is my last day here at my sand castle.  Mr. Depingo is packing our things while I am thinking that I cannot bear to leave Yeoman. He is a part of me now and has really gotten under my skin. I have decided to throw caution to the wind. I will go down on the beach and thank Yeoman for being there for me. Perhaps I'll kiss him goodbye and see what ensues. I am so excited to actually meet him.

Post script

I am shocked and dismayed. Alas,  the psychology of perception! It has played a cruel trick on me.  There is no Yeoman–never was at all. I have fallen in love with a lifesaver stand. You can see for yourself below. Imagine my disappointment.












Saturday, March 16, 2013

Boys Will Be Buoys



 OFT HAPPENS on the summer solstice
On the Isle of Moor,  just off Atlantis
 To cure the boys of colds and bronchitis
 Keeping them well so they can apprentice.

Captain Quack brews the boys blowfish tea
Prescribing sometimes as many as three
 Then sets sail with the lads, "Hard alee!"
(Just sayin,' seems suspicious to me.)

For blowfish puffs up inside your knee
You get laryngitis and top heavy
After the boys get their voices back
  Quack fixes them another snack.

He tells their mothers, "They're sick indeed"
They plead, "Return them!" Says he, "No need
Take head, my treatment is gratis
If you declare me loco parentis."

He knots anchors around the boy's necks
Blimey! Parents look like shipwrecks
As he tosses their children into the drink
All watch as down to the bottom they sink.

First rise the bubbles with a gushing noise
After that, the now buoyant boys
Ships tether to legs which look more like toys
No troubles, no poise, Quack's off to St. Croix's.

  Post Script

Boy ahoy! Boy ahoy!
Hope this tale won't kill your joy
Don't drink blowfish––it'll make you screwy
And if you're a boy, you'll turn into a buoy.




Friday, March 8, 2013

Poached Soul


SHE COLLECTED
The prettiest shells at the shore
Thought, "The sea won't miss those I adore
I need many more to sell in my store"
Poseidon roared, "Stop! I implore!"

'Twas written in nautical lore.

She used to make trinkets and rings galore
Sold  them recklessly; she wasn't poor
Got locked in a shell–spit up on the shore
For another collector to pick up off the floor.

'Twas written in nautical lore.

Laughing, she sticks her head out the conch
Upon her paunch she hides her tranche
Skin's the color of poached soul–or a blanch
For eternity she's lost her panache.

Probably end up as somebody's cache.



Tuesday, March 5, 2013

How The Mollusk Got Its Stripes



A HAUGHTY HIGH-HATTED ROYAL named La La
Rode on the beach calling, "Ta ta, ta ta"
Her prosaic pale-yellow mollusk carriage
'Twas a vehicle which I have to disparage.

Though powered  by zebra
Of stripes that would please ya
This lack-luster shell did not ring my bell
A visual fact that made La La unwell.

She stopped at El Mar
Where the azure spread far
To water her zebras
Dried out from their seizures.

A flock of magpies fond of her hat
Nested in there and that was that
One of them pecked at La La's cranium
Out came her brainium, hue of geranium.

It flowed down her arm right onto the mollusk
The stream was robust; she lamented, "Tsk, tusk"
Startled, the zebras reared up and down
 Imprinting stripes on the shell all around.

Now the ride of the Queen of Zebras
Outshines that of the Queen of Sheba's
La La's mind is now vacant; but I've no gripes–
Small price to pay for the mollusk's stripes.





Sunday, February 24, 2013

Liquid Feet


AMPHIDRITE rules the sea
Her consort, Poseidon, thinks it's he
Encircling the sea with her blue liquid feet
She flows onto her seahorse to see who she'll meet.

I, on the shore, straddled a dolphin
Crashed through the breakers for frolic and laughin'
I giggled and grinned 'til off fell my feet
My ankles and calves to make it complete.

Where are my limbs? I can't stand anymore!
 Amphitrite answered– with thunderous roar
" I saw you enter my cobalt door
I've never even seen a girl before.

Just seals and dolphins–such a bore
The more I see you, the more I adore
I am the personification of the sea
And you're the splashing image of me."

She called me Rhode; poured me a treat
Cool foamy water replaced my feet
Now I float with my new found mother
And swim with my dolphin, for he is my brother.





Thursday, February 21, 2013

Lady of the Sea

 
LAH-DE-DAH, lah-de-dee
Lady on a yawl slid into the sea
Fell from grace
Off the bow did she.
Called for help not once but three.

Bobbed fore and aft
 Like a piece of debris
 Clung to a shell
Hopelessly.

Towed pell mell
 During this embrace
Wore seaweed lace
Drank algae tea.
       
Who could it be
On this ominous race
Might be you; hope not me
Lah-de-dah, shell-shocked she
Our lady...
Lady of the sea.


Sunday, February 10, 2013

The Socialite



ALONE
And introverted Hermit the Crab
Pondered his life on the beach––found it drab
One day as his pincers skittered along
He spied a beauty in shimmering thong.

Whined Hermit,"Permit me to blab my gab"
Misguidedly added, "Your claws look fab"
Frightened, the girl quickly shied away
He got angry and stammered, " st-st-st-stay!

Sure I'm a crab with pincers that stab
But inside my shell, it's as big as a cab"
She shrieked, "Get away!" gave a hell of a yell
With that he stuffed her under his  shell.

He crab-walked further on down the beach
Grabbing up all the girls within reach
Now he's ebullient, no longer up tight
Indeed, he's a veritable socialite.


+

Sunday, February 3, 2013

Turtle Tat



FOR THE LACK
Of a turtle on his back
Bri stopped in at the Tattoo Shack
The tatteur misunderstood
Didn't think that he could.

He was just a  hack
And lacked the knack
For painting a turtle on a back
And since he wore a thick wool hood
Couldn't hear as well as he should.

Without the least amount of  flack
He gave Bri a thunderous whack
Put all but his face in the back of the Mack
 And truly believed what he did was swell
As he glued Bri's face to a turtle shell.

The turtle dove deep into the blue
With only Bri's face as his crew
Who knew? Maybe a few
That the man who wanted a turtle tat
Would become one just like that!


Friday, February 1, 2013

Mc Laughs



If you hold it to your ear, you can hear the subway.







Thursday, January 31, 2013

McLaughs



Jeeze! We forgot the kids!





Tuesday, January 29, 2013

Darwinian Repurposing


DARWIN repurposed the horseshoe crab
Far better than Post-its, tray or tab
He classified the crab as Nelson
And stacked his research on Nelson's telson
A desk accessory may seem a bit drab
But it's far better than being a crab.

Then he designed a canine shredder
Pieces of paper never seemed deader
The wind took this occasion to play
Before blowing the confetti away.
Tired after his doubleheader,
Darwin took the dog home and fed her.

If you must work August through July
Do grab a crab so you won't have to cry
Through Darwinian brilliance it's not out of reach
to set up your office and work at the beach.
Darwinian repurposing -- don't be shy
Next on your list, repurpose your guy!

Saturday, January 19, 2013

Aragonite For Breakfast


  
OYSTERS on the half shell
Delicious! - slide or chew
Not so easy though
When the eyes look up at you.

And just before my bite
It screamed, "Arrhggg, Aragonite*!
Aragonite!" with all its might
Fingers raised, staring in fright.

"Choke, choke," I heard it croak
Poke, poke, I poked the bloke
Cough, cough, it spit up a pearl
I  didn't eat but gave it a twirl

To get the pearl of course! I am a girl
With no remorse. "To the sea with ye!"–hurl!
I hung the pearl from my necklace
And then went on with my breakfast.



PS  *Aragonite is the mineral normally found in pearls.
 It is more powerful than kryptonite.

 
PPS  Only really good sports will model for me anymore.

Paint on,

Depingo



Wednesday, January 16, 2013

Merboy



H E FELT A TUG about his back
And then his muscles all went slack
His skin turned glossy, black and slick
He started to pick, but it grew too quick...

My boy.

It was thin and pointed
I  tried to anoint it
But larger and higher it got
Oddly enough, he liked it a lot...

My boy. 

When it morphed into a dorsal fin
He could not even hide his grin
Then his legs stuck together like glue
Inseparable! That made me  blue...

My boy.

His left then right foot splayed way out
I actually watched his fishtail sprout
He could not walk
Just flopped about...

My boy.

He now looked more like a dolphin
Than a kid fond of swimming and golfin'
I tried to keep him in a tank
But he said, "Glug! I gotta be frank..."

My boy?

"I see the sea not thee for me"
We sailed––SPLASH!–"Hard alee!"
It had to be; he dove in the sea
Windsong chanting, "Free, free, freeeeeeeee."

Merboy.


Thursday, January 10, 2013

Slow Ride





























MY MOUNT this post's a tortoise
Believed it would be fun
'Twas better in concept
Than the actual run.

His shell was rough and scratchy
Softened only by my bum
The pace so slow–he crept! I slept
And wished I'd brought some rum.

Should I modify my bluntness?
For when the ride was done
We beat a snail–no disrespect
 Arrivederci hon!





Wednesday, January 2, 2013

Jellfyfish Hash

















I WISH I WERE a jellyfish
Wish, wish, wish
Back and forth, back and forth
Swish, swish, swish
I'd wear a conch upon my head
For flash, flash, flash.

 Should Sharky want his favorite dish
 Jellyfish hash
 Thrash, slash, crunch, mash!
As if I were a piece of trash
 I'd sting him on his face and lash
He'd definitely get a rash!

Then high-tentacle it outta there
Dash, dash, dash.
Retreating from the gloom
 And doom.  Zooooooom
To my meduszoan bloom
And crash, crash, crash.



Saturday, December 29, 2012

An Octopus Lives in the Sea



AN OCTOPUS  lives in the sea
Along with you and me
Tentacles and limbs forever entwined
In perpetuity they'll never unwind.
And the ocean just keeps rolling in.

The octopus severs a diver's line
What does it matter, your line or mine?
Or should we fall from a fiscal cliff
Financially adrift? Might  happen. What if?
And the ocean just keeps rolling in.

The years pass by with truths and lies
A day, a month, a year–time flies
2012's in the rear; 13's–so near
To celebrate! a tear? a cheer?
And the ocean just keeps  rolling in.



Happy New Year to all of Depingo's readers
Paint on,
Depingo

And the ocean just keeps rolling in
And the ocean just keeps rolling in
And the ocean just keeps rolling in
And the ocean just keeps rolling in.

and that's what I like about the ocean




Thursday, December 20, 2012

Dear Santa,



A
ll
I  Want
F O r
Christmas
 This  Year  is  
Peace on Earth
Good Will toward All.
 Leave It under this Newtown Norway 
Spruce and I will see that everyOne
GETS A
SHARE



Merry Christmas to all and to all a good life,
Depingo
 


Monday, December 17, 2012

Vent, Vent, Vent


TWENTY-SIX ANGELS–gone
In a better place
A tragedy we all have to face
Shot by a demon who fell from grace
And all I can do is pace, pace, pace.

But the littlest angels are the most potent
With their store of energy as yet unspent,
Led by heroic angels when they went,
Only to return–heaven sent, sent sent.

In the stars, and the sky, I see each face
Twenty-six are gone but not without trace
Their spirit remains to save this place
All we can do?–embrace, embrace embrace.

Sunday, November 11, 2012

The Energizer Bunny School of Art

Harrison at Foxglove

LIKE THE AMERICAN IMPRESSIONIST, MARY CASSATT, who often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children, and Sally Mann, one of my favorite photographers, I am content to spend a great deal of time painting family members and family life, past and present.

It is not always easy for me to get family members to sit still long enough for me to see what they really look like. So I have to paint them from memory and photographs and catch the occasional ephemeral real life glimpse when I can. The difficulty is to to capture their spirit as well as their physical attributes, bringing out their intangibles such as character and mood. But I do have an advantage, because I know them intimately.

 Cassatt's Sailor Boy
It wasn't easy for the painter Mary Cassatt, who had to leave America and go to Paris to learn to paint. She felt she was not learning anything in the Pennsylvania Academy of the Fine Arts, because she, as a woman, was not allowed to draw from live models. Women at the time were restricted to drawing from plaster casts. She said there was no teaching there and she also tired of the ridicule from the men in the program.

Sally Mann was actually accused (ridiculously so) of creating kiddy porn when she published Immediate Family, a book of black and white photographs of her three children taken at a remote spot where they could skinny dip and generally run wild.

Mann's  Family

I, too, have had my share of disrespect and discrimination from the not-so-fair sex while working as a painter. Once when I was bringing my portfolio around, the male gallery owner wondered out loud why I was showing him my paintings. He asked, "What! Is your husband out of town on business this week and you need something to do?" At another gallery on a first visit, a male gallerist, whom I did not know, asked me if I would make him a cup of coffee. I did, because I really wanted to get into that gallery. In retrospect, I wish I had served it by pouring it on his head.

We women artists are pluckier than we seem. Like the Energizer Bunny, we just keep on ticking. Tick, tick, tick. Our lives, our families and our art go on ticking too. Besides, we simply won't let ourselves get ticked off.

Paint on,

Depingo

See more  Depingo family portraits by clicking here:

Alice's Aura
Painting in the Deep End of the Gene Pool

Tuesday, October 30, 2012

It would be foxy if you'd buy my book,
Depingo Ergo Sum!

The Sneaker Graveyard


SWIMMING UP FROM SEVEN FATHOMS UNDER Candleberry Lake* at a speed so fast he would leave Michael Phelps far behind and probably get the bends, a young diver, trembling with excitement, breaks the surface and sputters to his mates, "Hey, there must have been a sneaker factory here at one time; I found hundreds of sneakers in one spot." When I hear him say that, I breathe a sigh of relief. No one knows the truth–the real truth. The diver's assumption is plausible, but it is wrong.

It is plausible because Candleberry Lake was not always a body of water. It used to be farmland at the base of Candleberry Mountain. In 1926 Connecticut Light and Power Co., in order to create hydroelectric power from the Histrionic River, dammed the river, flooding the surrounding farmland. In doing this, the utility created the extremely deep, 18-mile long Candleberry Lake. Local legend has it that if you dive down to the bottom of the lake you will find old roads and farm houses with families preserved as they were at the time the land was flooded. Some say there are entire preserved families sitting at the dinner table with their food-laden forks poised halfway up to their mouths. Other unfortunates still sit in their easy chairs knitting. This is why our young diver thought he had found (and indeed might have found, had there been one located in the vicinity in 1926) a sneaker factory.

But that is not the case. No, there never was a sneaker factory there. What the diver found is much more sinister. It is the sneaker graveyard. I might add that this final resting place for sneakers was not there when the land was flooded. I am one of an elite group of five people in the entire world who know how that sneaker graveyard came to be. And only three of this select circle are alive today. I feel I must share what I know of the events leading to the creation of the sneaker graveyard before this knowledge is lost forever. Therefore, I have decided to reveal what I have been concealing for so many years right here on this blog. Depingo's readers deserve to know.

Although I cannot reveal his name, I can tell you that some years ago a good doctor and his family lived on the lake. He was a surgeon, scholar and gentlemen, loved by all who knew him. He worked hard in New York City healing patients 11 months out of every year. He saved many lives and made many patients whole again. But when he was on vacation for the month of August... well, that is a different story.

The good doctor, escaping civilization, would drive up to his manse on Candleberry in full doctor drag, including an F. Tripler suit, cashmere socks, pinstriped shirt punctuated with gold cufflinks and a Countess Mara tie, and highly polished Bass Weejuns. Upon arrival, though, he would divest himself of this costume with haste, as if wearing it were the final human indignity. He shed it faster than a snake sheds its skin. However, while snakes shed in order to grow and advance their form, the good doctor would shed his last remnants of domestication in order to return to a wild state. Upon doing so, he immediately became feral.

This formerly manicured doctor quickly donned his summer wardrobe, which he had designed and manufactured himself. It consisted of three items: cut-off, shredded khakis (not much better than a loin cloth really); a rope which he tied around his waist, belt-style, to hold up the cut-off khakis; and a pair of tennis shoes. He wore these items for the entire month while he toiled at landscaping, building stone walls, making furniture and various other projects. He also swam, ate and slept in these three items for all of August. (OK, some nights he took the sneakers off for sleeping,)

Quite frankly, the doctor's wife was beside herself. She didn't know what to do with her severely devolved husband. She knew, though, that she wouldn't allow his shorts to go into the wash with the rest of the family's clothing. This did not present a problem for the good doctor. The one time he felt his garment needed washing, this brilliant inventor of surgical implements and procedures designed an operation for cleaning shorts. He tied one end of his rope/belt to his khakis and the other end to the stone dock and let Candleberry do the work. The lake swirled them around in its waters and its whitecaps beat them up against the stone dock. When the doctor felt they were clean (which was not very long), he put them on wet. The morning sun dried them in conformity with his body and at least they were somewhat cleaner. They didn't look so great, but he didn't care.

One of the neighbors was a kindly grandmother from an extended Italian family that summered on the peninsula. She had a hammertoe that bothered her and asked the world-famous trauma doctor if he would take a look at it. He needed an office, so he set two canvas-covered folding chairs on the dock, washed his hands in the lake and examined her while dressed in his summer outfit. It was comical to see patient and doctor sitting on the dock, she with her hammertoed foot resting in his lap on top of the torn shorts. She didn't seem to mind; in fact she seemed very grateful. When she asked how much she owed for the visit. the doctor replied, "Do you make clams casino?" She did indeed; in fact the dish was her specialty. The following day she delivered a tray of homemade clams casino, hot from her oven, for the doctor's lunch. Good thing, for by this time, his wife had decreed that he was not to come to lunch without a shirt on. Because a shirt was not part of his summer wardrobe, he enjoyed his clams casino while sitting on his favorite tree stump, accompanied by Peter, and Taffy, his cocker spaniels.

Word spread throughout the Italian summer community and he saw many more patients on the dock. He never had to don a shirt because he had a steady stream of clams casino, lasagna and pasta fagioli coming in daily.

There came a day when the doctor's daughter, who was coming of age, requested that her father put on proper clothes (perhaps at least a shirt) to meet her date when he came to pick her up. The doctor said, "I'm not putting on clothes– just tell him I'm the handyman." She was quite concerned about this antisocial turn her father had taken. She hoped his behavior was within normal limits for vacationing surgeons. Maybe this is how surgeons relaxed ... or was it? Maybe ... it was something else ... something far worse! Then, on their last night at Candleberry before the family returned to New York for school and work, she followed him and saw what he was doing. She actually witnessed it with her own eyes!

Before the ceremony started, her father sat quietly on a willow twig bench he had made himself and stared across the lake. Then, he slowly rose and moved toward the end of the dock. Was he carrying something in his arms? No ... it couldn't be. Yes! She could see them clearly now, for unsuspecting that he was being watched, he had moved into the moonlight. There were two of them and they were both badly decayed. You could almost discern the souls separating from them. The odor was unbearable even in the fresh, pine-scented night air. With a hint of hesitation and what looked like regret, the doctor raised both hands high over his head and heaved his decomposing, moonlit burdens to their watery doom. They sunk promptly because he had filled their orifices with rocks and bound them with their own laces. Then he waved goodbye, went up the stone steps to the house, took a long, hot shower and carefully laid out his full doctor's drag for the next morning's ride back to New York. Through careful observation, I learned that he repeated this morbid ceremony annually.

In retrospect, I believe that the doctor actually was very fond of them. After all, they were his sneakers.

*About Candleberry Lake, Candleberry Mountain and the Histrionic River: I changed their names so as not to get my father ... er ... um ... that is, the unnamed doctor, into any trouble.PS. I wonder if anybody has discovered the cigarette "factory" adjacent to the sneaker graveyard yet?Paint on,
Depingo

Monday, October 29, 2012

Mr. Pluck vs. Sandy



Sandy,

IT'S ALMOST TIME 
To rock and roll!
Like Mr Pluck
We've got luck
Besides, you suck.

So rain your heart out
Let your winds wail
For it  will be
To no avail.
The East Coast will prevail.

Stay safe everyone!

Thursday, September 27, 2012

Now and forever



NOW AND FOREVER, ART AND LIFE are so intermingled as to be indistinguishable. And so, for me anyway, are art and words...I hope, dear readers, that you do not think me an exhibitionist for showing off the burlesque of my skeleton in the name of art. Rather, I prefer to be thought of as an explorer of the physical world. To facilitate such exploration, I always try to put words to my art and art to my words. In this case I could think of no better way to draw the phrase now and forever than to juxtapose the "now" of my living flesh and being with the "forever" of my bones in the above split image.

I have not, as poor old Mr. Depingo has long suspected, taken leave of my senses or become morbidly depressed. I have wanted to do this drawing for a long time, but have been afraid that he would haul me off to an asylum (if there are any left)–unless Halloween were impending when, for some reason, darkness prevails and skeletons become acceptable as a scary form of ersatz art.

I have no idea why our skeletal systems would be considered frightening. They are merely struts which enable our bodies to stand upright. Without a skeleton we would look like jellyfish minus the tentacles–just a tangle of gooey organs thumping around, loosely held together by a thin enclosure  of skin in a not-so-neat little wriggling blob. Now that would be scary!

I once viewed  my own skeleton during a visit to a radiologist who was assessing the damage an art- related injury had caused me. I had suddenly become unable to move my head, neck or arms after turning in an assignment to the New York Law Journal.  My doctor sent me to a radiologist who asked me if I had been in a car accident. Apparently every tendon in my neck and shoulders was torn. I wasn't paying the slightest bit of attention to him because I was fascinated  by the hundred or so x-rays hanging round us as if they were art.  I was amazed when I recognized my own among them as I had previously thought all skeletons looked pretty much the same.  But mine, in fact, was a dead (oops, poor choice of words) ringer for me.

Oh, the accident...it was not vehicular at all but spilled-ink-ular. While finishing up a drawing and happily anticipating the couple of hours of sleep I would get, my formerly careful cat and faithful studio assistant, Muse, knocked over my bottle of ink, ruining my drawing. I was beyond miffed, so  I slammed my fist with all my might into the drawing board, giving new meaning to the expression back to the drawing board. And then, in fact, I went back to the drawing board. Because, no matter what, art prevails.

Today my tendons have healed,  and I still stand gloriously upright thanks to my skeleton, but I realize there will come a time when I will no longer be alive.

Life is now. Only art is forever.

Paint on,

Depingo

You can read more about bones and see more revealed in the following Depingo posts:

Got A Bone In My Leg
Painted Remains

Wednesday, September 5, 2012

Ode to the Working Woman



Put up coffee
Feed the cats
Scramble eggs
And wake the brats.

Clothes to cleaner
Kids to school
Kiss the boyfriend
Now stay cool.

Type and file
Fetch and phone
Write some prose
You're all alone.

Forget the fun
Fun? 
What's that?
Remember Hon?

You used to sing
And dance and paint
Now you work 
Until you faint.

Out to market
Buy the food
Are you cross?
Watch your mood!

Toss the salad
There's the phone
He's not coming
All alone.

Pack the kids
In the sack
Were you charming?
He'll call back.

Scrubbing floors
And vacuuming
Could that have been
The doorbell ring?

Start your freelance
Hand wash lace pants
Here he is
No more Ms.

Feeling, sharing
Almost caring
It's so late
Don't be rude.

It's your fate
Play an etude
Be enchanting
Now he's panting.

You're so tired
You're a wreck
You'll be fired
What the heck.

You're the working woman!

Friday, May 4, 2012

One Stilletto


She's got soul. He's a heel.

Made in Heaven blurred sex and art
Jeff Koons' wife got the part of the tart
He thought, "in flagrante delicto - perfecto!"
 I'd rather see them dining alfresco
And would rate it only:  *One Stiletto*

His porn-star wife soon split and he let her
A puppy of flowers would be so much better
 Complete with irrigation system to wet her!
(Cicciolina now makes him shudder
He wishes he never met her.)

Extremely fond of appropriation
Koons used the banal for his kitschy creation
Got sued for recycling but throughout the strife
Festooned the world with his in-your-face trife
Borrowing from low cultural life.

Koons hired goons to make his cartoons
Sold them for millions to Philistine tycoons
The factory approach I'm told really sold
His balloons never pop and they're hard to hold
For the price, they should be made of gold.




Saturday, April 28, 2012

Alex Katz's Real Muse

Homage to Alex Katz (Sorry Ada, he loves me


Alex Katz 
Cut many hats
 With an extremely close crop.
His chop became a precursor to Pop.

An obsession with Ada
Most definitely played a
Part in the heart of his work
In fact, it drove the master berserk.

Ada, Ada...he prayed ta
Ada - even put her face on a scarf
Ada on this, Ada on that;  the beach towel, a fait a-
Ccompli, made me barf.

Katz painted me in my 60's antiquity
Over and over and into ubiquity. In perpetuity
He'll dance with my cutouts, have drinks with my flats.
Ada is over and that's


That!


Sunday, April 22, 2012

Freudian Slip

Homage to Lucien Freud

Lucien, heir to Rembrandt and Freud!
Unlike his granddad, a void's just a void
On which he painted pockmarked flesh
Bright, not as you'd expect - peche.

 His nudes sat with dogs and an occasional cat
Impastos made even Kate Moss look fat
Others seemed out of excess begat
Queen Elizabeth?...an old bat.

Lucien asked me to pose in the nude
I, a prude, thought this request most rude
Depingo, he asked, "You really won't strip?"
That's when he made a Freudian slip.

Saturday, April 14, 2012

Just What She Always Wanted


 Homage to Vincent van Gogh

Vincent van Gogh
ran out of dough
Concomitantly he cut off his ear.
 How drear!

When the ladies scolded him,
 Their chides emboldened him
It was clear
Vincent could no longer hear!

He queried his escort while drying a tear,
"What do you think I besmear when I leer
 I've just got this lust for life. No fear!
My brother will take care of us, dear.

I assure you I'll be able to pay some day
After I paint Sunflowers...OK?
Then Starry Night, so we won't have to fight
 Besides, I love you. You're my delight.

Perhaps, dear one, it may seem queer
That I drink absinsthe rather than beer
So out of the ordinary I do want to veer
I'm giving you part of me... my ear!"



Sunday, April 8, 2012

Ladies of the Fright

Depingo  left, Woman right in  homage to de Kooning

Willem de Kooning
Misogyny looming, blended flesh into ground
Uncommon ground! I would not tread if no one else were around
He painted wild-eyed, menacing girls...ladies of the night
Who angry vigor transformed into ladies of the fright.

Willem rendered sharp, fierce teeth with a hard jagged poke
Gaping eyes stare out at me as if I were a joke
Dismemberment, distortion born of his  hooked stroke
Bodies shredded, heads imbedded; all hope goes up in smoke.

These unfinished records of an extreme violent encounter
Show the action painter's wrath coming down upon her
Her body's deconstructed, disfigured face is fuming...
An expressionistic masterpiece, she's shameless, all consuming.

Engorged, Woman on a Bicycle is apt to split her seams
She seeks my adulation while listening to my screams 
With densely layered color this lady's been conceived
As a conduit to nightmare. All women have been grieved.

Sinister smiles scare me more.
In Women One, Two, Three, and Four 
Medium and subject converge
 Painting myself with Woman to purge.